Exhibitions
In this section, you will find
¤ 252 descriptions and
¤ 847 images organized into
¤ 20 themes, referring to
¤ 630 artists and
¤ 105 curators
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Exhibitions
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6 results
How Do I Look?
11 Feb 2017 – 9 Apr 2017
This selection of artists’ self-portraits from the Mount Saint Vincent University Collection addresses both the experience of being looked at by others, and that of returning the gaze. As a corollary to their engagement with practices of looking and appearing, these self-portraits also tackle the frameworks of race, gender and sexuality. |
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Rosalie Favell: Living Evidence
19 Nov 2011 – 19 Feb 2012
Living Evidence is Rosalie Favell’s first serial photographic self-portrait; it follows her earlier attempts to reclaim a First Nations identity by photographing aboriginal women. Truthful and brave, Living Evidence exhibits the appealing vulnerability that continues to characterize this artist’s photo-based work. |
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too small too big
29 May 2004 – 27 Jun 2004
This exhibition is composed of works on paper by Canadian artists who make strategic use of textured media such as makeup, paper collage, electrical tape, and human hair. |
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Portraits: Unsettled Subjects
24 Jun 2001 – 22 Jul 2001
Realized in painting, photography, sculpture, print media and video, these mostly contemporary works, drawn from the MSVU collection and loans from various Canadian sources, deploy individual likenesses in the service of social critique. |
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In Absentia
7 Mar 1998 – 17 May 1998
Composed of loans and works from the MSVU collection, this exhibition surveyed feminist approaches to autobiographical narrative. |
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Living Evidence
15 Oct 1994 – 4 Dec 1994
Rosalie Favell's project, which consists of a suite of inscribed and altered Polaroid enlargements, revises the family snapshot genre to accommodate a fractured tale of troubled love between herself and another indigenous woman. |
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